Pay What Works: Aiming to balance fair and sustainable designer compensation & a realistic representation of the work that goes into knitwear design and accessibility, we’re offering a Pay What Works model with this pattern where you can choose a price that is accessible to you.

The full pattern price as shown on the right reflects the work that went into creating this design best. If a different price point is more accessible to you, you can use the following codes to purchase this pattern at a price that works for you (a Pay What Works implementation that, to my knowledge, was first initiated by Frenchie, thanks so much for the inspiration!):

No code: 14€ (100%)

Sustainablist80: 11.20€ (80%)

Sustainablist60: 8.40€ (60%)

Sustainablist50: 7€ (50%)

Sustainablist40: 5.60€ (40%)

Please note that depending on your location VAT will be added when you check out.

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PATTERN NOTES

SIZES
1 (2, 3, 4, 5, 6, 7, 8) (Finished bust circumference 104 (112, 120, 128, 136, 144, 152, 160) cm / 41 (44, 47.25, 50.5, 53.5, 56.75, 60, 63)”, recommended to be worn with 15-25 cm / 6-9.75” of positive ease)

Melinda wears a size 1 with 22.5 cm / 9” of positive ease.

YARN
Brooklyn Tweed Loft (fingering-weight; 100% Targhee-Columbia; 251 metres / 275 yards per 50g)

1600 (1730, 1855, 2015, 2175, 2335, 2510, 2690) metres / 1750 (1892, 2029, 2204, 2379, 2554, 2745, 2942) yards (shown in Snowbound)

GAUGE
24 sts x 32 rows = 10 x 10 cm (worked flat in Stockinette Stitch, on larger needle, after blocking)

NEEDLES
3.5 mm / US 4 circular needle (or needle size to obtain gauge) with a cable length of at least 80 cm / 32”

3.25 mm / US 3 circular needle (or needle 1 size smaller than main needle) with a cable length of at least 80 cm / 32”

NOTIONS
Blocking tools (optional), cable needle, darning needle, scrap yarn or stitch holder, stitch markers, tape measure

TECHNIQUES
3-Needle Bind-Off, Short Rows

CONTRIBUTORS
Photography: Ricarda Schüller
Hair & make up: Paloma Bryschta
Model: Melinda Dela Costa
Sample knitting: Laura Walgenbach
Tech editing: Amelida Hodsdon